
She shares a hometown (Augusta, GA) with no less than the Godfather of Soul, and there's a whole bucket of James Brown-style soul sauce in this Brooklyn songstress's bold numbers. A dynamic backing outfit drops deeply funky horns 'n' bass, and Jones's belting growl takes it all to town.
While not rooted in jazz, funk nevertheless took the expansiveness of bop and implemented the resulting freedom from pop song structures into a steamy soul context. Lengthy explorations of a single chord, horns accentuating the beat rather than the melody, freeform song arrangements--these became the hallmarks of soul's rawest, dirtiest outpost. When James Brown and his band began exploring the innermost workings of the almighty groove in the mid-1960s with "Out of Sight" and his seminal funk workout "Papa's Got a Brand New Bag," the age of funk had officially dawned. What followed was a maelstrom of mainstream hits not only for Brown throughout the rest of the '60s and into the early '70s, but also for a new breed of funk luminaries--chiefly, the psychedelicized soul of Sly & the Family Stone's ("Thank You [Falettinme Be Mice Elf Agin],") and George Clinton's ultraweird amalgam-outfits Parliament ("Tear the Roof Off the Sucker [Give Up the Funk]") and Funkadelic ("You Hit the Nail on the Head"). The '70s saw new acts such as Earth, Wind & Fire, Kool & the Gang, and the Meters rise to the top of the funk game, while longtime Motown mainstay Stevie Wonder contributed several of the genre's best-loved songs with "Living For the City," "Superstition," and "Higher Ground." Following the lead of a young Minneapolis visionary known as Prince, a more synthesized take on funk came to pass in the '80s, as the Gap Band, Cameo, and Zapp scored booty-shimmying hits in the early part of the decade.
Notable Artists: James Brown, George Clinton/Parliament/Funkadelic, Earth, Wind & Fire, the Gap Band